Eduardo Sterblitch on improvisation in 'Beetlejuice': 'He's dead, but I'm alive on stage'

Eduardo Sterblitch on improvisation in ‘Beetlejuice’: ‘He’s dead, but I’m alive on stage’ | GuardianMagazines

Musical inspired by Tim Burton’s classic ‘Ghosts Have Fun (1988)’ is presented at the Liberdade Theater in São Paulo Beetlejuice, Beetlejuice… better not to say it the third time, otherwise it will appear. This is precisely the objective of the ghost defended by Eduardo Sterblitch. The character tries to make a human repeat his name three times to get a glimpse of life. Beetlejuice, which is presented at the Teatro Liberdade, in São Paulo, is a Brazilian version of the Broadway musical inspired by Tim Burton’s classic Os Fantasmas se Divertem (1988). Discover more taboola Unlike most foreign titles, Beetlejuice has a detail that makes it different: room to improvise. The naturalness with which Eduardo embodied the main character is such that, for those who watch it, much of the text sounds like an improvisation game to make the audience laugh. However, that’s not exactly how it happens. Behind the scenes of the musical Beetlejuice Rafael Cusato / Quem In conversation with Quem behind the scenes of the production, the protagonist explained that he has the freedom to improvise where the show allows it and highlighted that the changes in the text were fundamental for Beetlejuice to connect . with the Brazilian public. “In the (original) text there are jokes that are funnier in the United States, so we have to appropriate our culture to be able to make the public identify with it, otherwise it will just be a reproduction of the joke. It gets bad. The ideal is not to escape the text, but I never achieve it, I never do the same piece, because he (the character) is dead, but I am alive on stage,” Edu emphasizes. Behind the scenes of the musical Beetlejuice Rafael Cusato/Quem On the other hand, you must always respect the timing of the musical. “I repeat the scenes at the same time, but I am not forced to breathe the same way, I am not forced to feel the same. Each audience brings me to different emotions. This is what gives life to theater, not improvisation. Apart from the fact that inventing a text out of nothing is not very good in a three-hour work, that is dangerous,” he points out. The production marks the return of the actor, who in recent years has been involved in several audiovisual projects, to the stage of a theater. “It is the best work I have done in my life in terms of structure and joy of doing it, because I am a director of my own works, so I am always tense because doing theater in Brazil is very difficult. A miracle has to work. If it is difficult for Renata (Borges, producer of the program), who gets the sponsorship, imagine for those who cannot.” Behind the scenes of the musical Beetlejuice Rafael Cusato / Who Dead Mother The ghost played by the comedian takes advantage of the grief of Lydia Deetz, a teenager who goes into crisis after losing her mother, to put into practice the plan that she considers evil. The young woman moves with her father, Charles, to the house that the dead man frequents. Exploring the character’s pain in a plot with so many humorous scenes is one of the character’s biggest challenges, says Gabi Camisotti. Gabi Camisotti behind the scenes of the musical Beetlejuice Rafael Cusato / Quem “Removing all the layers that she has is important so that Lydia does not end up being a bored teenager with tantrums. It is very difficult, because you have to connect with the pain of losing a loved one,” says the actress. Ana Luiza Ferreira, who alternates the role with Gabi, agrees with her partner and highlights that the humorous scenes, especially the improvised ones, help to talk about death in a light way. “It is a refreshing experience. In Beetlejuice we never get used to it, we never fall into the same old habits. Obviously it’s always a challenge. It is always necessary to redouble attention.” “This work talks about life” For Flávia Santana, the central theme of the show is not death, but the importance of connections. “This play talks about life, because, in truth, all of Lydia’s anguish is because she felt abandoned by her mother, so she spends all her time looking for her mother and, in the end, she finds herself,” he says. Delia’s interpreter. In the plot, the actress’s character causes discomfort to the teenager, since she has an affair with her father, played by Joaquim Lopes. Joaquim Lopes and Flávia Santana behind the scenes of the musical Beetlejuice Rafael Cusato/Quem “This is the first musical I have done and it has been a wonderful experience. When you sing in front of others it is as if you were undressing, it is a very vulnerable place,” says Joaquim. “It’s also a challenge to be a part of this place with such talented people and not ruin everyone’s experience (laughs). There is also the body part, since there is a lot of dancing during the musical, and the fact that my character has a dramatic curve. “He tries to create a connection with her daughter, going from the estrangement at the beginning to the catharsis of reunion.” Differentiated Beetlejuice Both Tim Burton’s film and the Broadway musical served as a reference for the Brazilian show, especially in visual terms, but what is seen on stage is a unique Beetlejuice and this only highlights the talent of those who perform. on and off stage. . Behind the scenes of the musical Beetlejuice Rafael Cusato/Quem “It speaks perfectly to the audience. There (in New York) he was very good, irreverent as he is here, but we have a much more brilliant actor than the one they had there. Eduardo and João (Telles, substitute for Beetlejuice) listen and take advantage of what the audience offers and give it back in their own way (with improvisations). They have malice and a Brazilian way of acting,” highlights Tadeu Aguiar, director of the show in Brazil. Like Edu, he also insists that theater is alive and not manufactured. Although he is new to this universe of musicals, Joaquim Lopes also feels the difference between Brazilian production and international production. “Our play is very different from Broadway, because there it was more correct, cleaner, and that is not necessarily a good thing. I like us because we do it our way, with our references, with our Brazilianness and I think all of that adds a lot of value to the show,” he concludes. Behind the scenes of the musical Beetlejuice Behind the scenes of the musical Beetlejuice Service: Location: Teatro Liberdade (R. São Joaquim, 129, São Paulo) Sessions: Wednesday, Thursday, Friday and Saturday at 9 p.m.; Saturday and Sunday at 4 p.m.; Sunday at 20:30 Prices: Between R$ 95.00 and R$ 350.00 Tickets: Most read of the week

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